Jam of the day, vinyl you just have to buy, music inspired by history and literature, and a silly quote: The Byrds / "I Come And Stand At Every Door"

Artist: The Byrds
Album: Fifth Dimension
Song: "I Come And Stand At Every Door"
Released: July 18, 1966
Label: Columbia



I was really happy to score a near mint copy of this album at Jerry's Records this morning. The Byrds are one of my all-time favorite bands—if not the favorite—and this is one of their albums that I've never spotted at a store on vinyl. Sure, I could find a reissue online or whatever, but there's a certain thrill in having a few albums in the back of your mind all the time and knowing that you will, with absolute certainty, buy one whenever you see a copy for sale. Check this one off my list. I have a few others on mind. What albums are on YOUR list?

I also stopped in to Galaxie Electronics, which on the same floor as Jerry's on the right when you walk in, to buy a new belt for my turntable. I've had it about four years now and this is the first time I've had to fix anything, so I'm grateful for that. I've been putting that off for a couple of weeks, out of laziness and business, and between random shopping and Record Store Day last weekend, I've built up quite the backlog of albums I've been meaning to listen to. But screw all that, I had to but Fifth Dimension on as soon as I got home. I was planning on writing something about "Eight Miles High" (one of the most famous Byrds tunes and their first exploration into jazzy psych rock) or maybe the title track or maybe the silly little ditty "Mr. Spaceman", but then … I heard "I Come And Stand At Every Door".

I almost forgot this song was on this album. I almost forgot it even existed. It's kind of a throwaway, not really standing out as a stellar single or anything and, with its somber guitar line and rhythm and the deliberate vocal cadence, it's very much the least poppy track on an otherwise very upbeat and exciting record. Its the lyrical content, though, that really delivers the message. The words are an English translation of a poem by Turkish poet Nâzim Haket about the Hiroshima/Nagasaki bombings of WWII. It's written from the perspective of a seven year-old child (the poem says "girl" but the song's lyrics are slightly different and don't mention gender) who died in the bombings, and describes the child's death and how his/her spirit remains in this world and asks for nothing but peace. It's rather touching when you listen carefully and/or read along. Apparently Pete Seeger recorded a version of the poem in song form originally, in 1962, and The Byrds 1966 version added some somber electric guitars to the tune and really did it justice.

"I come and stand at every door
But no one hears my silent prayer
I knock and yet remain unseen
For I am dead, for I am dead"



Anyway, this song also got me thinking about other songs and albums that have been inspired (or are direct references to/usages of) historical events and/or literary pieces. We all know that Jeff Mangum says a fair amount of the content of In The Aeroplane Over The Sea was inspired by his recent reading of The Diary of Anne Frank. The only other really interesting example I can think of off the top of my head is If… which was apparently inspired by the Italo Calvino novel If on a winter's night a traveler. I haven't listened to that album, but I remember loving that novel when I read it in college. I still have a copy laying around here; I should pick it up again… Can you think of any other examples like this? I'll keep racking my brain and scouring the web. I'm sure there are some interesting ones!

One last thing: the remastered CD reissue of this album that came out on the album's 30th anniversary had a few bonus tracks: an alternate version of "Eight Miles High", two version of that single's B-side called "Why", a great David Crosby-penned tune called "Psychodrama City", and some others. The second version of "Why" is 17 minutes long, though, because after the tune ends and a radio promo interview with Roger McGuinn and David Crosby starts playing. It's kinda funny because you can only hear what those guys say, not the radio interviewer and not the songs they apparently play during the interview. But they say some pretty funny stuff as they talk about the album and the songs. It's worth tracking down and listening to if you're a big fan like me. I remember laughing so hard when they got to talking about the album name and the title track. Roger McGuinn says something silly like, "Well, the fifth dimension is a very philosophical place." Well said, dude.

Jam of the day, psychedelia compilations, and vinyl conventions: D.R. Hooker / "Forge Your Own Chains"

Artist: D.R. Hooker
Album: The Truth
Song: "Forge Your Own Chains"
Released: 1972
Label: On Records [original] / Subliminal Sounds [reissue]


A friend of mine had a vinyl copy of Forge Your Own Chains: Psychedelic Ballads and Dirges 1968-1974 and played it on at least one occasion while we were hanging out at his place and in the right frame of mind for this album. Oh man, is it heavenly. A double LP compilation, with songs from Korean psychedelic guitarist Shin Joong Hyun, Nigerian rock band Ofege, a Temptations cover by a group of American soldiers who won a "Battle of the Bands" contest while stationed in Germany, and this here tune and namesake for the album by an underground Connecticut folk-rocker named D.R. Hooker. I've since gone on and bought a vinyl copy myself and highly recommend you do the same.

D.R. Hooker has a solid J.C. look about him, as you can see on the cover art for The Truth, his 1972 debut LP. He released another LP 7 years later, and another one in the late 1980s, but I've yet to track those down. I stumbled upon a reissue of this album on vinyl (via the Subliminal Sounds label) at the 7th (semi-)annual Pittsburgh Record Fest at Belvedere's a month ago. The event was pretty big, filling the huge back room of Belvedere's with tables and sellers and people milling about. I got there with some friends on the later end of the evening, and probably missed out on some great scores because of that, but it felt like I didn't see a whole lot of stuff that "grabbed" me. This record was the only one I picked up that made me say, "I have to have this." I made some other finds, but this was my favorite by far.

Here's the jam that got this whole story started. It's a catchy little ditty in the middle of the LP, piecing together a tambourine beat and stuttery drums with D.R. Hooker's smooth voice and a cool bass line, plus some awesome jazzy punches of brass. It's really, really … cool. Suave.

D.R. Hooker / "Forge Your Own Chains"



"One more cigarette to clear your head
Today you're living, tomorrow you're dead"

Some other links about D.R. Hooker I found: Buried Treasure / 99 Krap Rec / The Truth

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I'm always on the lookout for other sweet compilation albums, after experiencing the greatness of this one. This also led me to buy an album of Shin Joon Hyung tunes called Beautiful Rivers & Mountains and it is similarly outstanding and highly recommended. Do you know of any other compilations like this that you'd recommend? LET ME KNOW!

Shin Jung Hyun (ft. Jang Hyun) / "Twilight"

Jams of the day, band name stories, and the many projects of J Mascis: Heavy Blanket / "Dr Marten's Blues" & Electronic Anthology Project / "Tarpit"

I've heard about two musical projects in the last couple of months and just about the only thing they have in common is one man: J Mascis. This guitar wizard has played in so many great bands and released so much awesome music into the world, and there's clearly no end in sight. Dinosaur Jr. is amazing, of course, and I was really wowed by last year's solo LP, Several Shades of Why. Great songwriting, and that growly voice of his still holds up in an acoustic setting like that.

I saw on Pitchfork last week that J and some pals will release an LP of instrumental psychedelic rock tunes in May. They've shared one track, "Dr Marten's Blues", and it is an absolute scorcher. Well, it's actually just a catchy bass rumble and a pounding beat that almost serves as an excuse for J to shread a massive guitar solo over the whole thing for four minutes. Yeah. I mean, it's an awesome solo. I literally can't stop listening to it. I'm pretty sure the whole LP will be like this, which … actually intrigues me.

Another part of this story, besides the surprising and weird nature of it all, is that the band apparently has a crazy, wild, pretty much unbelievable story. I'm sure it's rooted in some truth, but … it's hard to say. You can read the whole thing on their record label's website and see for yourself, but here's a choice selection:

He remembered a couple kids from his early high school days – stoner kids he’d always admired for their “who gives a shit” attitude. Those kids, Johnny Pancake and Pete Cougar, had been kicked out of marching band for smoking weed out of a tuba. Way better musicians than the marching band deserved, they’d formed a duo that was all rhythm section – no vocals, no guitar, a sick, punchy brew of Band of Gypsies and Japanese hard psych (Johnny’s uncle was a US Marine stationed on Okinawa in 1973. From his frequent visits to Tokyo, he brought home a killer psych record collection. And a mean dose of the clap). These were the guys he needed. He rounded them up and it soon became obvious that the heavy rhythms they created were the perfect backdrop to young Mascis’ insane, fluid ability on the guitar. The trio came up with six blistering tracks, named themselves Heavy Blanket, and set a date to record.

I imagine that the Heavy Blanket moniker has something to do with the thick, sumptuous slab of sound these guys produce, or something about what this type of music does to your brain … you get the idea. But it makes me think about how bands get together, decide on a name, name some tracks and an album. There's a lot of naming. My favorite band name story is far-and-away Yo La Tengo, though; here's a great video of Ira Kaplan (and special guest!) describing the story.

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The other musical venture I heard about recently is one by Built To Spill's bassist, Brett Nelson. His Electronic Anthology Project … er, project … covers entire albums of rock music in a more electronic/synthified way. His description sums it up nicely:

I truly love bands like Talk Talk, Men Without Hats, and Orchestral Manoeuvres In The Dark, but I also love bands like Dinosaur Jr., The Replacements, and The Pixies. So what if I merged my two loves together?

An upcoming LP—set for release on Record Store Day—will have nine Dinosar Jr. tracks, with J Mascis singing on each one. (He might have re-recorded these vocals for this release? Not totally sure.) Have a listen to the old and the new versions here and see what you think. I'm intrigued but probably not enough to actually buy anything …

Jam of the day, Mission Hill, the first album you ever bought, and Zach Galifianakis: Cake / "Italian Leather Sofa"

Artist: Cake
Album: Fashion Nugget
Song: "Italian Leather Sofa"
Released: September 17, 1996
Label: Capricorn Records

I've been watching a lot of Mission Hill lately. I had never heard of/seen the show until a year or two ago when I watched it at my friend's place. It was hilarious, and still is. I bought the 2 DVD set of the entire show's run (one season on WB before getting axed) back in the fall and have watched it off and on, particularly with other folks who have never seen it before. Pay it forward and all that, you know? If you don't know it, definitely go check it out. It's a somewhat straightforward animated sitcom with some oddball characters and a twisted sense of humor, kinda like Seinfeld meets Family Guy for Generation X hipsters. Something like that. Plus, it has Brian Posehn! Just watch it, would ya? Here's a compendium of funny clips I found:



The theme song for Mission Hill is a sped-up instrumental cut from Cake's tune "Italian Leather Sofa". I didn't realize it was at a faster tempo until I went and listened to the song just now (right after watching an episode of the show). Say what you want about Cake, but they have a special place in my musical history. I remember listening to this CD, Fashion Nugget, in my cousin's room whenever we visited. This was sometime in middle school, and the "Parental Advisory" sticker on the front intrigued me (although I realize now it's only because they say "Fuck" a few times on the record: the chorus in the title track is "Shut the fuck up!" and their cover of Gloria Gaynor's "I Will Survive" has the line "I should have changed the fucking lock …"), and I went out and bought the CD at a Newbury Comics at some point. I don't know exactly, but that might have been the first album I actually went out to specifically purchase with my own money. Weird, right?

"When she get what she wants
She puts the rest on a tray
In a zip-loc bag
In the freezer"



One last thing: did you know Zach Galifianakis had a late-night talk show on VH1 for a short while? Did you know The Shins made their TV debut on that show? And did you know Cake played on the show and Zach kinda made fun of people who like Cake? I seem to remember a snarky comment he made in one clip, but now I can't seem to find it onthe web … maybe I made it up? But anyway, that irreverence about the whole Hollywood/getting famous scene and obvious lack of caring about what anybody thinks of him is what drew me to his comedy in the first place (and what makes this video of him in the audience at the Ellen DeGeneres show so hilarious) but I'm not sure that applies anymore after all of this Hangover business. I could barely sit through the first movie and have no desire to see the second, thankyouverymuch. I'll take Live at the Purple Onion over that shit any day. Anyhow, here's that viedo clip from Late World with Zach:

Jam of the day, an awesome but sad music video, and WYEP: Fanfarlo / "Shiny Things"

Artist: Fanfarlo
Album: Rooms Filled With Light
Song: "Shiny Things"
Released: February 28, 2012
Label: Canvasback Records

I missed the Fanfarlo show at Mr. Small's on Sunday night but was lucky enough to sneak into a last-minute admission to their live session at WYEP's studio on Monday afternoon. Lisa and I showed up right at 1:00 and were ushered into the studio as the live session was just about to kick off. Cindy Howes was up near the stage and the forty or so seats were mostly taken so we stood near the back. I smiled at the couple with their two small children also standing in the back and at the sweet old man who ducked underneath the reach of my phone while walking by me even though I was just checking my email and not taking a photograph at the time.

Fanfarlo sounded absolutely amazing. Their songs, on record, have been hit-or-miss with me, feeling like a little too over-produced twee, hyper-arranged, orchestral pop tunes to really hit me hard … but I rescind those complaints formally now. I'm a Fanfarlo fan. Part of that transformation was the band's demeanor during the interview. They were humorous, personable, off-beat, and decidely exactly the opposite of the kind of high-minded, erudite, scholarly popsters I had in mind based on their songs. Maybe I was way too pre-judgmental about their music and their image, but hey, I take it all back. Their songs now sound perfectly catchy and engaging to me, and knowing there are affable and genuinely interesting individuals behind it all … that just adds to the appeal.

The standout track of the half-hour live session was the last number, "Shiny Things". Cindy introduced the song by talking to the band about the music video, which quite literally (and quasi-violently and decidedly-creepily) portrays the song's discussion of greed and ambition and retribution and … well, now I'm kinda spoiling the imagery and surprises therein. Watch for yourself and prepare to be fucking amazed and enthralled. I can't look away from this video, even on my third straight viewing now, never mind the fact that this song is amazing. As Cindy mentioned in the interview, too, this video is incredibly sad while being absolutely awesome.

Fanfarlo / "Shiny Things" / Rooms Filled With Light / dir. Tim Nackashi

Here's a photo from the studio session. I really like their studio and I'll make it a point to go back there more often. Would you believe that this was my first time visiting WYEP's interior? Seriously! I've been in that neighborhood dozens of times for Club Café shows or hanging out at the Beehive, but I'd never actually been inside WYEP's building. It was super nice.

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Fanfarlo on the web: / Website / Facebook / Twitter / Wikipedia
Buy Rooms Filled With Light: Band site / Insound / Amazon / iTunes / eMusic

Cover jam of the day and live concert radio shows: Tool / "No Quarter" [Led Zeppelin]

I was driving down to the South Side this afternoon and tuned into WRCT during the ride. Whatever DJ was on played two straight songs of live Led Zeppelin—"Misty Mountain Hop" and one other— and I was digging it. It got me wondering whether there are radio shows out there that devote themselves to replaying "classic" concerts from the past. I mean, there are Grateful Dead and Phish and DMB junkies—and others focused on bands with extensive live discographies—who collect bootleg recordings of live shows and debate which were best and discuss them with others, but I'm thinking about a show that has a different band every week. I can think of a number of live albums I enjoy listening to, and I'm sure there are lots of bands who sound great live but maybe not so much on record. Anyone know of such a show out there somewhere in internet/radio-land? Maybe a live recording blog of classic shows? Point me towards it!

The next song the DJ played was … well, I thought I correctly heard him say "Tool playing 'No Quarter' " and I wasn't sure until a minute or so in, and then … yeah, that's what it was. One of my absolute favorite Led Zep tunes played by a band that I don't really know and haven't bothered to listen to ever, but this version actually sounds really good. Faithful enough to the gloomy cock-rock guitar of the original, creepy-as-hell vocals, absolutely pounding drums. Yeah, this is a great cover. Wikipedia lists several other covers of this song, which I will be investigating, for sure.

"Lock the door, kill the light No one's coming home tonight"

Jam of the day, late-night TV, music discovery, SXSW, and left-handed guitarists: Gary Clark, Jr. / "Bright Lights"

This song is a straight jam, no ifs ands or buts or becauses or what-have-yous about it. I don't know much about Gary Clark, Jr., though. I stumbled on this tune via a message board a number of months ago, and I remember really digging it when I heard it (and it was this specific video, too, not a studio recording). I didn't investigate the guy further, though, for whatever reason, thinking him too "mainstream" or something silly like that, then totally forgot about it until earlier tonight.

I was watching late night TV because the featured bands actually piqued my interest: Sharon Van Etten (*swoon*) was on Conan playing "Leonard", and then The Shins were on Letterman playing "Simple Song". I flipped over to Fallon to catch Jon Hamm (I find him hilarious whenever he's on 30 Rock and SNL) and left the TV on in the background as I came back to my laptop to do some more writing work. Eventually, Carson Daly's show came on and he said that this episode would be devoted to artists they saw and loved at SXSW.

This brought to mind a couple of things. First, it made me think about how people discover music these days, who we view as "go-to sources" for music discovery, who we trust as musical litmus tests. It's strange to think of times when, I dunno, Rolling Stone might be your one and only print publication by which to judge new releases. Or shit, the radio, even! What was music discovery like before the internet?! Personally, I didn't discover any music outside of classic rock radio that my dad played in the car up through high school, so I can only imagine what kind of dark ages the 80s and 70s and … well, fuck, there was some great music coming out back then, right? And people were finding out about it, I presume. Is the internet actually a good thing? My vast digital music collection says, "Hell yeah motherfucker!", but my exploding inbox of "Listen to my music pleeez!" says, "Hell no, motherfucker!". Only time will tell, I suppose.

Second, this reminded me of a Tweet from some friends who were down in Austin at SXSW last week. Apparently, Carson Daly was onstage playing drums with Thee Oh Sees?!?!?!? I love that band and their garage rock awesomeness, and it's hard to imagine Mr. TRL drumming along to such tune-age at all, let alone live with these dudes. Still, it makes me wish I had been there to see it, because I'm sure it was a spectacle, an experience, something interesting to witness. I've never been to any kind of music festival, so that's something on my agenda for the future.

What else was I talking about? Oh, you'll notice that the second guitarist in this video (the first guy you see in the first frame) is a left-handed guitarist. As a staunch ambidexterian (if you ask, I can list all of the things I do lefty and all of the things I do righty; there are plenty of each), I find it particularly interesting to see people doing something lefty that is vastly more commonly done righty. Guitar-playing, golfing, hand-writing, masturbating … just kidding. No really, I'm kidding, don't show me. Jimi Hendrix and Paul McCartney stand out as striking left-handed guitarist examples. Do you have any others? Famous or otherwise?

Where were we … back to this Gary Clark, Jr. tune, right! This was recorded at Eric Clapton's Crossroads Guitar Festival, and it has some great footage of Clark singing and guitaring, plus his backing band of guitarist, bassist, drummer, and brass. His voice is outstanding. I think that's what really gets me, that he's belting out these lines while strumming some sweet licks and solos. Not to mention how cool those shades are …

"You're gonna know my name by the end of the night"



Gary Clark Jr. on the web: Website Facebook Twitter YouTube