Some old, some new: British Sea Power

Okay, the holiday season is wrapping up, students are getting back into the swing of classes, musicians are warming up and starting to tour again, and labels have awakened from the sleepy late-December doldrums and have started to release the first candidates for "Best Music of 2k11". And by that I mean there's going to be some good new stuff coming out in the near future, after a few (relatively) agonizing weeks of pretty much nothingness.

The first promising release of the year, I think, comes from British Sea Power. Maybe you've heard of them? Maybe not. I first got into them in college thanks to a couple of friends who were fans. The songs on Open Season and The Decline of British Sea Power were pretty quirky and fun to my uninitiated ears and I listened to those albums periodically over a year or so after hearing them. A couple years later, I went to visit a friend in D.C. and was lucky enough to catch BSP playing at the Black Cat club one night, and that was pretty sweet. I hadn't listened to them recently enough, and the only song I actually recall them playing is "Apologies To Insect Life", but that was also before they put out Do You Like Rock Music?, so I imagine they played a few songs from that. My answer to that question was a resounding yes, by the way; the album is totally bombastic and sagging with guitar solos, which led some folks to rag on it (the infamous U.2 rating!), but I thought it was perfectly fun and listenable, so fuck p4k. I have honestly yet to listen to Man of Aran, their 2009 release that doubles as a soundtrack to a 1934 documentary film, but it seems interesting enough that I'll go back and watch and listen (maybe simultaneously!) at some point.

In the fall of 2010 they put out the Zeus EP, a not-so-unexpected departure from the aforementioned "straightforward rock" of the-album-with-the-inquisitive-title. Its eight songs span 34 minutes, which is rather long for an EP, and the ideas contained therein are expansive, as well; feedback on the guitars, tinkly piano, reverb on the vocals, languishing drones, squealing synths, and some kinda strange digital/autotune effect on the final track. It's strange and fascinating. It's BSP trying to get back to what they did best way back when: fuck with the standard rock formula. And they're doing this after they "perfected" it enough to get Pitchfork to equate them with the most "modern rock band"-ish of all "modern rock bands", these days.

And now, there's Valhalla Dancehall, officially released today, January 11, 2010. I listened to it (streaming on the AV Club) once through and found it be an interesting hybrid of these two paradigms they've embodied thus far in their career: quirky, classic-rock-inspired yet decidedly new and modern, guitar-heavy but vocally-driven indie-pop songs and over-the-top, can-you-possibly-squeeze-any-more-anthemic-guitar-riffs-and-choruses-in-there rockers. I'm looking forward to buying it (somehow). Will it be my favorite record of 2011? Seems unlikely. Will it be in my Top 10? Maybe, but that's hard to say. Will I enjoy listening to it in the meantime? Of course. So give it a shot. Maybe it'll be your favorite!

Here's a song from the new album:

and for completeness' and interest's sakes, here are some of my fave songs from their older albums (that I've heard), chronologically backwards:

Cover jam of the day: "Tugboat"

Artist: Citay (covering Galaxie 500)
Song: "Tugboat"
Album: Dream Get Together (Today)
Label: Dead Oceans (Aurora Records)
Released: January 26, 2010 (1988)

I was reminded of this song just last night. I had some friends over to play poker and I was scanning the record collection trying to pick something to put on and I thought, "Hey, I haven't listened to this Citay album in a while", so I put it on. The end of side two came around and "Tugboat" started playing and I couldn't help but sing along. It's a classic Galaxie 500 tune and a good choice for a cover song, I say. I can't recall whether they played it live when I saw them, but seeing those seven band members squished onto the "stage" in the corner of a room reminds me how much their lush, fully-instrumented sound adds to the song, which was originally played by a spare guitar-bass-drums trio. It's a good cover in the sense that it's faithful to the original but it adds a certain je ne sais quoi; that is, it doesn't sound like Citay trying to BE Galaxie 500, it sounds like Citay playing a Galaxie 500 song in the way that Citay plays any song. Hopefully that makes sense. Anyway, I also have Today on vinyl and just played the original version. Man, they were so good. I can't find a video of the original album version, so the live video below will have to suffice, but hey, it's pretty cool that there's YouTube footage of them playing live in 1989, you know? (It's taken from the awesome DVD Don't Let Our Youth Go To Waste, a collection of early video footage of the band. The DVD is out of print, but the Carnegie Library has a copy.)



"I don't want to go to your party, I don't want to talk to your friends, I don't want to vote for your president, I just want to be your tugboat captain. . ."



Bonus: British Sea Power covering this song live!