Showing posts with label set list. Show all posts
Showing posts with label set list. Show all posts

Monday, January 16, 2012

Concert Review / MOIP + 123 @ Brillobox

It had been a long while since I'd seen a proper Meeting of Important People rawk band show. It felt like a year or more, but it was really only like 6 months. Still, that's WAY too long to go without a rip-roarin' set of garage pop tunes, guitar flailing, fast-paced drums, and good ol' fashioned fun times.

I grabbed dinner downstairs at the Brillobox before the show. You have to try the seitan gyro. I think it's pretty new on the menu (I hadn't seen it before) and it was absolutely delicious. Perfectly spiced, nice texture, generously saucy. Yummo. I went upstairs a short while after The Whiskey Holler started their set. I'd only caught these dudes once before, at the Thunderbird back in September, and I was really surprised by how great they were that first time. I wasn't expecting them to be bad, not at all, but it was one of those really pleasant surprises where you don't know the band, have no expectations, and then they rock your socks off and you find yourself grinning halfway through because you know you've stumbled on greatness. Yeah, it was like that. This time around, the crowd was kinda chatty and the band was playing as an acoustic duo (or trio, perhaps?) so it didn't come across nearly as well as I remembered/had hoped. I still enjoyed their twangy rock tunes, but I wish everyone else was paying better attention. I suppose I should have gone up and stood closer but I didn't feel like navigating the already dense crowd. They play around town a lot, so I'll be sure to catch 'em again soon, and I recommend you do the same. In the meantime, dig this live recording from a Howlers set. It is fantastic. Also, check out this story they posted on their blog last month. Love the story-telling style, fellas.



Meeting of Important People got up next and did what they do best: everything. Josh announced that they'd essentially taken the entire fall season off from concert-playing and put together an entire new full-length album of material that they're very eager to share. Huzzah! They've slipped a couple of new songs into their repertoire over the last year or so, and I've wondered how those were coming along and whether they had any album plans. Now we know. Check out the Kickstarter campaign that they launched last week for more info about it; they want to do all the recording themselves, sans labels and PR and all that monkey business. More power to ya, boys. And readers, throw 'em a few bucks. You won't regret it when you hear what comes out of it all. As I was watching them play, I realized that I've written so many review of their shows, it's pointless to reiterate the fun and tunefulness they exude, so I went and did something I remember doing way back when I was just a fanboy, listening to their record on my iPod, seeing them for the first or second time: I copied down their setlist on my phone while they played. Yup. This is direct copy/paste from the document so you can see my silly notes, unedited.

britney lane
hanky church
(verba nets vs. ver baah nets)
leaving here
its alright to let the old folks go (with bullshit indie rock ending)
one o clock
big muscles
we gotta get outta this place
I know every street
innocents abound (guest shaker)
dead man
good for your bones, punk rawk
training song
leap the dips
boys
??? New song, for when you're higher than hell
nothings goin on
school (nirvana)


1,2,3 came up last and played a bunch of songs from New Heaven, and one new song from an upcoming thing they're working on. The crowd was really into it, although it seemed a little thinner than it had been earlier. I learned that the bassist used to be in Juliana Theory. There's a fun fact for ya. They played my favorite tune of theirs, "Riding Coach". That one always sounds good, and I'm really impressed with how well it comes across in person, too. It almost feels like a headphones song, but they nail it live, even Nic's falsetto. Great stuff. I noticed they had their own sound guy working the board, which I don't see too often from local bands, so they must be prepping him for a tour or something? Sounded pretty good, considering the usual Brillo crowd which, by the way, was waaaayyy worse during this set than usual. Nic actually called out a group of super chatty folks right in the front. "Hey, girl in the glasses, yeah, you, hey, you" … and she still didn't notice! Somebody standing behind her had to poke her drunk ass (not literally, she was just being a drunk ass) to get her attention and get her to shut up so they could play a quiet tune. Yowza. Meanwhile, some other really drunk girl kept "dancing" and stumbling around and falling onto the stage, and Josh's ride cymbal kept falling off the stand (the top notch was broken, I think) and a pink-haried lady in the front kept graciously going up to fix it when it tumbled (which happened at least four or five times). Overall, it was a kinda up-and-down set, logistics-wise, but the music sounded good to my ears, which is all that really matters, right?

Sunday, September 12, 2010

Concert review: Mariage Blanc, Meeting of Important People, All Tiny Creatures

Mariage Blanc, Meeting of Important People, All Tiny Creatures
Saturday September 4, 2010 at Brillobox
with Leigh, Paul, Lisa

If Meeting of Important People play in town, I am definitely there. It seems like others around Pittsburgh agree with that, since it's always crowded no matter where they play, and this show was no exception. If there are other interesting bands playing, as well, I'll check them out. It seems like others around Pittsburgh don't necessarily agree with that, since the room tends to be far emptier before and after MOIP's set, and this show was no exception. Ahhhh, parallel constructions; they're my least unfavorite literary device, right up there with litotes and semicolons.

I had never heard of All Tiny Creatures and didn't know what to expect. The stage was pretty crowded, with 5 band members and plenty of synths and pedals and equipment, including an Apple laptop. Interestingly, the non-singing bassist was placed front and center while the two guys playing guitar/vocals were on either side, with the drummer and synth/laptop operator towards the back. Their songs were atmospheric and ethereal in effect, mostly, and it seemed like I could easily put them on and lay down on the couch for a strange, trippy nap. Every once in a while, a plunky little keyboard melody or some reverb-laden vocals would puncture their soundscape, but for the most part it was droning guitars and bass and synth with driving drums, building an atmosphere and pulling you into it. This made it hard to tell when their songs officially "ended", save for the bassist looking to the crowd and smiling knowingly, prompting a smattering of applause. Their set ended abruptly on an upnote, a fitting end to some long, swirling jams. I really dug it, and ended up buying their Segni EP on beautiful white 12" vinyl. The blurb on the sleeve mentions that band member Thomas Wincek is also a multi-instrumentralist in Volcano Choir, a side project of Bon Iver's Justin Vernon, who also contributes vocals on All Tiny Creatures' upcoming LP. Sweet, looking forward to that.

MOIP played next, interestingly; I expected them to play last since they were listed as a headliner on the bill, but I suppose some people tend to skip out before the end of the show. I definitely noticed that the Brillo's upstairs was totally packed for this part of the show, but rather spacious for the other two bands' sets. I've written about their live shows so many times before that I realized I'd have little to add in this review and instead focused my attention on jotting down the set list. This turned out to be more difficult than I imagined it would be, since they played a couple of new songs (yipee!) that were unnamed. So anyway, here's the list with a descriptor or two for the unnamed ones:
1) Nothing's Goin On
2) Leaving Here (orig. Eddie Holland, also covered by The Who)
3) Brittney Lane Don't Care
4) Innocents Abroad (new, Josh says it's their "Pitchfork song" haha)
5) I Know Every Street In This Town
6) Big Muscles (with backup vocals from Nik Westman who was in the crowd)
7) Single Girl, Married Girl (orig. The Carter Family) [acoustic]
8) Hanky Church [acoustic]
9) Pretzel Rod Blues (Riff Song)
10) Love (I think, at the very least they said that word like 40 times during the song)
11) We Gotta Get Out Of This Place (orig. The Animals)
12) Training Song --> lead into...
13) --> Dead Man
14) One O'Clock
I thought it was funny that Josh kept offering to buy drinks for anyone in the crowd who works for the Carnegie Museums, and that those people in the crowd kept yelling out "Miller!" to the drummer. Also, I think I kept hearing the name Cyndi Lauper in the lyrics of the "Innocents Abroad" song; maybe it's about her? Or maybe I completely misheard...

Mariage Blanc played last, and we stuck around until the end, although many others didn't. Sobeit. I've seen them before and they're all well and good, but it's honestly really tough to follow a MOIP set. Their songs are pretty solid and they sound good on album, but the live show is not overly exciting or engaging. They played a song or two from their previous EP (free download!) and a bunch from their forthcoming album. I'm looking forward to hearing that one, since I think the carefully-crafted arrangements and instrumentation will come across far better on recording than in a live setting, particularly at the perenially-chatty Brillobox.

All Tiny Creatures
MySpace, website, Twitter, Facebook
Live song at the Kitty Kat Club, Minneapolis
Live songs at Hopscotch Music Festival, September 9, 2010
Blurb about "An Iris" on P4k

Meeting of Important People
MySpace, website, Twitter, Facebook
Fascinating interview with lead singer Josh Verbanets from the guys at Draw Us Lines.

Mariage Blanc
MySpace, Twitter, Facebook