Showing posts with label stream. Show all posts
Showing posts with label stream. Show all posts

Sunday, April 1, 2012

Jams of the day, band name stories, and the many projects of J Mascis: Heavy Blanket / "Dr Marten's Blues" & Electronic Anthology Project / "Tarpit"

I've heard about two musical projects in the last couple of months and just about the only thing they have in common is one man: J Mascis. This guitar wizard has played in so many great bands and released so much awesome music into the world, and there's clearly no end in sight. Dinosaur Jr. is amazing, of course, and I was really wowed by last year's solo LP, Several Shades of Why. Great songwriting, and that growly voice of his still holds up in an acoustic setting like that.

I saw on Pitchfork last week that J and some pals will release an LP of instrumental psychedelic rock tunes in May. They've shared one track, "Dr Marten's Blues", and it is an absolute scorcher. Well, it's actually just a catchy bass rumble and a pounding beat that almost serves as an excuse for J to shread a massive guitar solo over the whole thing for four minutes. Yeah. I mean, it's an awesome solo. I literally can't stop listening to it. I'm pretty sure the whole LP will be like this, which … actually intrigues me.

Another part of this story, besides the surprising and weird nature of it all, is that the band apparently has a crazy, wild, pretty much unbelievable story. I'm sure it's rooted in some truth, but … it's hard to say. You can read the whole thing on their record label's website and see for yourself, but here's a choice selection:
He remembered a couple kids from his early high school days – stoner kids he’d always admired for their “who gives a shit” attitude. Those kids, Johnny Pancake and Pete Cougar, had been kicked out of marching band for smoking weed out of a tuba. Way better musicians than the marching band deserved, they’d formed a duo that was all rhythm section – no vocals, no guitar, a sick, punchy brew of Band of Gypsies and Japanese hard psych (Johnny’s uncle was a US Marine stationed on Okinawa in 1973. From his frequent visits to Tokyo, he brought home a killer psych record collection. And a mean dose of the clap). These were the guys he needed. He rounded them up and it soon became obvious that the heavy rhythms they created were the perfect backdrop to young Mascis’ insane, fluid ability on the guitar. The trio came up with six blistering tracks, named themselves Heavy Blanket, and set a date to record.

I imagine that the Heavy Blanket moniker has something to do with the thick, sumptuous slab of sound these guys produce, or something about what this type of music does to your brain … you get the idea. But it makes me think about how bands get together, decide on a name, name some tracks and an album. There's a lot of naming. My favorite band name story is far-and-away Yo La Tengo, though; here's a great video of Ira Kaplan (and special guest!) describing the story.



The other musical venture I heard about recently is one by Built To Spill's bassist, Brett Nelson. His Electronic Anthology Project … er, project … covers entire albums of rock music in a more electronic/synthified way. His description sums it up nicely:
I truly love bands like Talk Talk, Men Without Hats, and Orchestral Manoeuvres In The Dark, but I also love bands like Dinosaur Jr., The Replacements, and The Pixies. So what if I merged my two loves together?
An upcoming LP—set for release on Record Store Day—will have nine Dinosar Jr. tracks, with J Mascis singing on each one. (He might have re-recorded these vocals for this release? Not totally sure.) Have a listen to the old and the new versions here and see what you think. I'm intrigued but probably not enough to actually buy anything …

Monday, March 19, 2012

Jams of the day: Pavement / Live At Maxwell's (08.12.1990)

This is apparently Pavement's 2ND SHOW EVER. Holy fuck. And it is finally surfacing now, thanks to a Soundcloud upload of a cassette tape recording by Maria T (current WPRB DJ), who was at the show. A Crush mag review of the show has also surfaced here. The recording itself is lo-fi and fuzzy, and the vocals are hard to make out, but I like to think that this is just part of the early Pavement aesthetic. I only saw them a couple years ago on their reunion tour, and it felt more like a "play these special songs" show, which was absolutely great the time (my fave show of 2010, actually), but this show feels much more like a live "experience", and makes me yearn to see them in the early days. Enthusiasm was high and predictability was low, and that's potent. Listen in here:



The false-start with Malkmus cursing at the 15:00 mark is fucking priceless.

Get more info from P4k, if you so desire.

Wednesday, January 11, 2012

Jams of the day, harmonicas in rock, and indie music on TV: The War On Drugs / "Don't Fear The Ghost" + "Snake Tongues" + "Baby Missiles"

I'm glad we've reached a point in our friendship where I can say "I like The War On Drugs" and you know what I mean. That other war on drugs is "bullshit", but Adam Granduciel and gang are "the shit". That Future Weather EP from 2010 still gets plays on my iTunes, and Slave Ambient was a perfect followup/expansion, working together some Tom Petty-channelling, road-trippin' rockers with some more, well, ambient soundscape-style songs. It's weird to listen to some of their quieter numbers because whenever I think back to when I saw them live last summer, I don't recall any dull moments or lulls or even feeling like I was being swept downward by their tunes. And yet, that's exactly what some of their songs do, in particular a new B-side they just released, somewhat appropriately-entitled "Don't Fear The Ghost".
Stream it here:



Oh wait! That's the more rockin' tune. "Snake Tongues" is the languid, hazy, psychedelic track that's newish. That seems backwards to me. I expected "Snake Tongues" to be some upbeat rocker about evil serpents nipping at your heels as you sprint through the desert or something like that. Instead, it seems to be about a weird drug trip. Whatever, it's great. Head over to any of these 1, 2, 3, 4 places to download the mp3 since I can't host it here.

One of my personal favorite tracks from both Future Weather and Slave Ambient is "Baby Missiles". It's not so different on the LP, maybe a slightly different mix or something, but the parts that always get me going are the way Granduciel's voice modulates rapidly in both pitch and fervor ("He's up and down like A NEW JACK TONE") and that fucking harmonica solo! How awesome is that?! Too few modern indie rock bands use harmonica, in my opinion, and I'm not just recommending it for the "let's be different" kind of thing. This is a damn fine instrument and deserves to be used more often. The War On Drugs took to the stage on Late Night with Jimmy Fallon last night and jammed out this tune, complete with that harmonica part we all love. Dig it:



Say what you will about Mr. Fallon, his show, and his ability to ruin every SNL sketch with shattering-the-fourth-wall laughter, but he and his staff have their ears to the grindstone vis-à-vis the indie rock scene. They've pulled plenty of great bands on for sessions and had a bunch make their TV debut there, TWOD included (as well as a recent, lovely appearance by Sharon Van Etten). I'm thankful for this trend: more exposure for good bands, a chance to see ?uestlove play backup percussion, all good stuff.



The War On Drugs on the web: Website / Bandcamp / Facebook / Twitter
Buy Slave Ambient: Secretly Canadian / Insound / Amazon / iTunes / eMusic